Sara Meltzer Gallery: Lovett/Codagnone

1962	John Lovett born in USA. Lives and works in New York
1967	Alessandro Codagnone born in Italy. Lives and works in New York

EDUCATION
Lovett

1988-89	School of Visual Arts, New York

1986-88	MBA, Drexel University, Philadelphia

1980-84	BA in Psychology and Fine Arts, Dickinson College, Carlisle

Codagnone

1993-94	Whitney Museum Independent Study Program, New York
1989-92	Goldsmiths' College, London

1988-89	Chelsea School of Art, London



SOLO EXHIBITIONS
2010	Weighted, Curated by Tom Cole and Christian Clifford, Dixon Place, New York, NY (performance) Adjusted by Addition, in collaboration with Tom Cole, radio play at AIR (Art International Radio), Clocktower, New York, NY Hanged, Curated by Lia Gangitano, Billboard project for LAXART, Los Angeles, CA

2009	Common Errors, Sara Meltzer Gallery, New York, NY

2008	Post no Bills, Office Project, Sara Meltzer Gallery, New York, NY Walk in Silence, September Gallery, Berlin, Germany

2007	Erase, in collaboration with Tom Cole, Participant Inc., New York, NY Interruption of a Course of Action, Curated By Lia Gangitano, P.S.1 Moma, Contemporary Art Center, New York, NY For You, 2003-2007, The Institute of Contemporary Art, Boston, MA (performance). Driven by Love, 22nd Torino GLBT Film Festival, Museo Nazionale del Cinema, Fondazione Adriana Prolo, Turin, Italy (catalogue)

2006	For You 2003-2006, Galleria Illy, Spazio Moroso, Milano, Italy (performance) Party with Us, Galleria Emi Fontana, Milano, Italy Driven by Love, Curated by Jeffrey Uslip, LA><ART, Los Angeles, CA Printed Matter, Inc., New York, NY

2004	Obliquities, Roth Horowitz Gallery, New York, NY Echo, Galerie Praz-Delavallade, Paris, France Driven by Love (screening), Robert Beck Memorial Cinema, New York, NY

2003	ASK, The Laura Mars Group, Berlin, Germany ASK, TRANS>area, New York, NY Wenn ich mir was wünschen dürfte…(If I could wish something…), Participant Inc., New York, NY

2001	Suited, Brent Sikkema Gallery (performance), New York, NY Suited, MicroMuseum for Contemporary Art and Culture (performance), Palermo, Italy Duet, Centro d'Arte Contemporanea Ticino, Switzerland <<PLAY>>, Galleria Emi Fontana, Milano, Italy Duet, Galerie Praz-Delavallade, Paris, France

2000	Wall 6: Landscape 8, Air De Paris, Paris, France Play, Thread Waxing Space, New York, NY

1998	Drifted, XL/Xavier LaBoulbenne, New York, NY Drifted, Artforum Berlin 98, XL/Xavier LaBoulbenne, Berlin, Germany

1997	Greetings, Patricia Faure Gallery, Los Angeles, CA Sighting, Galleria Emi Fontana, Milano, Italy

1996	Greetings, XL/Xavier LaBoulbenne, New York, NY White Columns, New York, NY
SELECTED GROUP EXHIBITIONS

2010	Freud Museum, London, England Au Pair, Curated by Giacinto Di Pietrantonio and Francesca Referza, Fondazione Menegaz, Castelabasso, Teramo, Italy Pop-Up-Shop, Tanya Bonakdar Gallery, New York, NY Screening/Salon/Cabaret/Disco, Curated by Sarvia Jasso, Insitute of Contemporary Art, Philadelphia, PA Fade to Black , Curated by Rachel Gugelberger and Jeffrey Walkowiak, Sara Meltzer Gallery, New York, NY Are You Coming Too? Presented by Krüger & Knuth and September, Berlin, Germany Hardcorps : Movement Research Spring Festival 2010, Judson Memorial Church, New York, NY (performance) 100 Years (version #3), Curated by Klaus Biesenbach, RoseLee Goldberg and Jenny Schlenzka, Garage Center for Contemporary Culture, Moscow, Russia Diegesis This Is Not, Curated by Madeline Djerejian, part of salon of Video Art at Atopia, Oslo, Norway

2009	100 Years (version 2, ps1, nov 2009), Curated by Klaus Biesenbach, Roselee Goldberg and Jenny Schlenzka, P.S.1 MoMa. Long Island City, Queens, NY Butt in Ass, Curated by Michael Bullock and Yasmine Dubois-Ziai, Asian Song Society, New York, NY A Personal Shout, Video screening curated by Lovett/Codagnone, White Columns, New York, NY Can't Rape the Willing, Curated by Sarvia Jasso and Kathryn Garcia, Second Floor, Brooklyn, NY Tre Punti..., Galleria Emi Fontana, Milan, Italy Timeline, Participant Inc., New York, NY Eye Candy, Maloney Fine Art, Culver City/Palm Springs, CA Objects of Desire, Anna Kustera Gallery, New York, NY 40 Years/40 Projects, White Columns, New York, NY

2008	Power and Currency, Factory Fresh, Brooklyn, NY History Keeps Me Awake At Night: A Genealogy of Wojnarowicz, P.P.O.W Gallery, New York, NY That was Then...This is Now, P.S.1. MoMa, Long Island City, NY Poster Project, Curated by Devon Costello, Nine Things Gallery, Frankfurt, Germany All in the Family, Organized by Laura Parnes, Sara Meltzer Gallery, New York, NY (screening) Brice Dellsperger présente, Curated by Brice Dellsperger, Centre Georges Pompidou, Paris, France Just Different, Curated by Frank Wagner, Cobra Museum, Amstelveen, Netherlands Because My Body Can Never Be Touched Da Sodoma a Hollywood, 23rd Torino GLBT Film Festival, Museo Nazionale del Cinema, Fondazione Adriana Prolo, Turin, Italy (screening) Lucky Draw, Sculpture Center, Long Island City, NY Group Show, Curated by Vincent Honoré, Seventeen Gallery, London, England Rhyme in Motion, All-Day Event: LTTR Videos-The Dead, Absent and Ficticious , Curated by LTTR, Yerba Buena Center for the Arts, San Francisco, CA Cose mai viste, Curated by Achille Bonito Oliva, Terme di Diocleziano, Rome, Italy

2007	Xmas Hysteria, Galleria Emi Fontana, Milan, Italy Postcards From The Edge, 10th Annual Benefit show for Visual Aids, James Cohan Gallery, New York, NY Performa07, Second Biennial of New Visual Art and Performance, New York, NY Double Vision, Curated by Liz Christensen, Deutsche Bank Gallery, 60 Wall Street, New York, NY Office Party, Curated by Lia Gangitano, Rental, New York, NY NeoIntegrity, Curated by Keith Mayerson, Derek Eller Gallery, New York, NY The Dead, The Absent and Fictitious, organized by LTTR, Documenta 12, Kassel, Germany (screening) Publications Project, Kassel, Germany Substance and surface, Bortolami Gallery, New York, NY Love Addiction, Pratiche video dal '61 ad oggi, Curated by Andrea Bruciati, La Comunale, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy (catalogue) Da Sodoma a Hollywood, 22° Torino International GLBT Film Festival, Torino, Italy (catalogue) Elsewhere?, Galleria Emi Fontana, Milano, Italy

2006	Postcards From The Edge, 9th Annual Benefit show for Visual Aids, Sikkema Jenkins & Co., New York, NY The Eighth Square: Gender, Life, and Desire in the Visual Arts since 1960, Curated by Frank Wagner and Kasper König, Ludwig Museum, Cologne, Germany (catalogue) Dead, Absent, and Fictitious: Shorts, Curated by LTTR, OUTFEST 2006 Film Festival, REDCAT: Roy and Edna Disney/CALARTS Theater at Walt Disney Concert Hall, Los Angeles, CA (catalogue) Fresco Bosco, Curated by Achille Bonito Oliva, Certosa di San Lorenzo Padula, Salerno, Italy Benefit 2006, Momenta Art, White Columns, New York, NY Passers-by: Photography from 1974 to 2004, Galleria Emi Fontana, Milano, Italy

2005	PERFORMAO5, First Biennial of New Visual Art Performance, New York, NY (catalogue) Gelman vs Roth, Roth Gallery, New York, NY Still Ill (Curated by Lovett/Codagnone), Momenta Art, Brooklyn, NY Split Subjects, Curated by Francesco Bernardelli and Theo Tegelaers, De Appel, Amsterdam, Netherlands E-Flux video rental, Kunst Werk Institute for Contemporary Art, Berlin, Germany Benefit 2005, Momenta Art, White Columns, New York, NY Log Cabin, Curated by Jeffrey Uslip, Artists Space, New York, NY

2004	Hosted, Curated by Lia Gangitano, Nieuwe Vide, Haarlem, Netherlands Sparwasser HQ Platform´da: The home video system project, Curated by Johannes Raether Platform Garanti Contemporary Art Center, Istanbul, Turkey

2003	Re: Act, An evening of performance, Curated by Sheri Pasquarella, Participant Inc, New York, NY For You (performance), Presented by Participant Inc. and Trans>area, The Nada Art Fair, Miami, FL Chironex Fleckeri or Suspended Moments (Mulholland Drive), Curated by Frank Wagner, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin, Germany (catalogue) Video Fuori dalla scena, Galleria Civica di Arte Moderna “Monetevergini," Siracusa, Italy A Song for You (screening), Curated by Rafael Sanchez, Anthology Film Archives, New York, NY Decade, Shroeder-Romero, New York, NY Imperfect Marriages, Galleria Emi Fontana, Milano, Italy Benefit 2003, Momenta Art, New York, NY

2002	20th TFF (Torino Film Festival), Palazzo del Lingotto, Torino, Italy (catalogue) Videolab, Special Section, The International Fair of Contemporary Art, Artissima 9, Turin, Italy HANS: Interspecies Love, Gallery Oni, Curated by Tom Cole, Boston, MA Fruit Farm Film Festival, McMinnville, Oregon (catalogue) A Song for You (screening), Curated by Rafael Sanchez, Anthology Film Archives, New York, NY Charley, P.S.1 Contemporary Art Center, New York, NY Gallery’s Artists, Galerie Praz-Delavallade, Paris, France "Identité, métissage et autres arrangements", Curated by Alexandre Pollazzon, Palais de Tokyo, Paris, France Group Show, Galleria Emi Fontana, Milano, Italy Power Ballads, Rupert Goldsworthy Gallery, New York, NY

2001	Heads or Tails, Galerie Praz-Delavallade, Paris, France Video Art Plastique, Centre d’Art Contemporain de Basse-Normandie, Hérouville Saint-Clair, France (catalogue) My generation. Video art from the 70's to the present day, Curated by Mark Nash and Alexandre Pollazzon, The Atlantis Gallery, London, England Contemporary Utopi a Musdienu Utopjia Latvian, Curated by Frank Wagner, Centre of Contemporary Art, Riga, Latvia (catalogue) Hops! Ambienti, Curated by Luca Vitone, Link project, Bologna, Italy Blind date, Brent Sikkema Gallery, New York, NY

2000	Death Race 2000, Thread Waxing Space, New York, NY Kentric Sex (screening), Cargo, London, England Collector’s choice, Exit Art, New York, NY Espacio Marica, Curated by Octavio Zaya, Institute of Civilian Disobedience, Oslo, Norway Guilty Pleasure, Artnet.com Mining the Store, Allentown art Museum, Allentown, PA TWO by Two, The Rachofsky House, Dallas, TX

1999	Non Solo fotografia, Centro d’Arte Contemporanea Ticino, Bellinzona, Switzerland Lovevolution, XL/Xavier La Boulbenne, New York, NY 999, Organized by Centro d’Arte Contemporanea Ticino, Stabile Ex-Troesch, Bellinzona Artissima 99, Castello di Rivoli/Palazzo Nervi, Torino, Italy Videotheque Mobile 90-2000, Palazzo delle Papesse, Centro d’Arte Contemporanea, Siena, Italy

1998	Remix, Musée des Beaux Arts, Nantes, France (catalogue) Group Show, Galleria Emi Fontana, Milano, Italy He swam down, away, Curated by Tony Payne, Audiello Fine Art, New York, NY Videostore! Bricks and Kicks, Curated by Bureau de Video, Vienna, Austria Bathroom, Curated by Wayne Koestenbaum, Thomas Healy Gallery, New York, NY #4, XL/Xavier LaBoulbenne, New York, NY Transatlantico, Curated by Octavio Zaya, Centro Atlantico De Arte Moderna, Las Palmas, Spain (catalogue) Interferencias, Curated by Octavio Zaya, Canal De Isabella II, Madrid, Spain; Centro Andaluz De Arte Contemporaneo, Sevilla, Spain; Universidad De Salamanca, Spain (travelling) Edifying Sappho and Socrates, Darlinghurst Station Sidney; Torch Gallery, Amsterdam, Netherlands (travelling) Il Motore della Moda, Curated by Emi Fontana, Stazione Leopolda, Firenze, Italy

1997	More, XL/Xavier LaBoulbenne, New York, NY A Home Show: Sitting up Erected or Reclining, Curated by Mary Goldman, Hinterhof Links, Berlin, Germany Artforum Berlin 97, XL/Xavier LaBoulbenne, Berlin, Germany Domestic Bliss, DNA Gallery, Provincetown, RI #2, Knut Asdam, Ellen Cantor, Lovett/Codagnone and Rosemarie Trockel, XL/Xavier LaBoulbenne, New York, NY New Museum of Contemporary Art Benefit, New York, NY Health Crisis Emergency, Pat Hearn Gallery, New York, NY

1996	The Male Gaze from y to z, Galerie Jennifer Flay, Paris, France Mona Hatoum, Lovett/Codagnone, Marilyn Minter, XL Xavier LaBoulbenne, New York, NY Video Sans Titres, Galerie Froment Putman, Paris, France Ellen Cantor, Lovett/Codagnone, Mike Sale: Video, XL/Xavier LaBoulbenne, New York, NY Family Nation Tribe Community Shift, Curated by Frank Wagner and Organized by NGBK, Haus Der Kulturen Der Welt, Berlin, Germany (catalogue) Best of Indipendent Video, La Panaderia, Mexico City, Mexico Fotog, SAUCE Gallery, New York, NY White Columns benefit, White Columns, New York, NY Open Your Heart, Leo Castelli Gallery, New York, NY

1995	Soho Biennial, Eight Floor Gallery, New York, NY Crystal Blue Persuasion, Feature Gallery, New York The Moderns, Feature Gallery, New York, NY
BIBLIOGRAPHY
2009	Falconer, Morgan. "White Columns Gallery Profile." Art World , Issue 10, April/May: 123-125. Bernstein, Fred. "The Good Earth." Metropolitan Home, Vol. 41, No 2, March: 67. Zaya, Octavio. "Lovett/Codagnone: un proyecto para Atlantica." ATLANTICA , n. 46: 70-79. O'Neil-Butler. Lauren. "Law and Disorder." Artforum.com Diary, January 20

2008	Baker, R.C. "History Keeps me Awake at Night." The Village Voice, August 5. Vrieze, John and Frank Wagner. gewoon anders! (just different!). Amstelveen: Cobra Museum of Modern Art. Nenno, Rosita and Christian Rathke. Macht Leder Lust, Offenbach: DLM Deutsches Ledermuseum Schuhmuseum. Delli, Castelli. "Lovett/Codagnone." The End, n.8, April - May: 76-81. Mania, Astrid. "Lovett/Codagnone: Walk in Silence." Art in Review, n.21, April: 141. Zaya, Octavio. "Lovett/Codagnone. P.S.1." Flash Art International, n. 259, March-April: 134. Papernik, Erica. "New York’s LES." Flash Art International, n. 259, March-April: 94-95. "Best of New York 2008." New York Magazine , March 10-17: 88. Cotter, Holland. "NY Coming Back." Flash Art, n. 268, February-March, 112-114. Mueller, Dominikus. "Vorhut Der Spiesser." artnet.de, February, 21.

2007	Cotter, Holland. "An Upbeat Moment for a Downtrodden Area ." New York Times , Saturday, December 1: b7, b11. "Double Vision. Artistic Synergy Effects at the Lobby Gallery, New York ." db-artmag.de, December. Pernet, Diane. "Pleasure Principle-Collaboration-Erase." dianepernet.typepad.com, December. Velasco, David. "Erase Errata ." artforum.com, November. "Medium Cool ." Timeout, n. 631, November 1-7: 95. "Performa07." Tema Celeste , n. 124, November-December: 104. Levin, Kim. "Substance and Surface ." Artnews, October : 210. Taft, Catherine. "Critics' Picks: Substance and Surface." artforum.com, Summer. Bombelli, Ilaria. "Lovett/Codagnone." Flash Art, n. 264, Giugno-Luglio: 104-106. Bombelli, Ilaria. "Gioco a due. L'analitica del potere nel lavoro di Lovett/Codagnone." Flashartonline.it. Sossai, Maria Rosa. " Elsewhere ?", Flash Art, n. 264, Giugno-Luglio:139. "Collettiva Elsewhere?" Inside Italia, n. 33, May: 34. "The Waste Land." Mousse, n. 7, March (special issue "The Waste Land"). Scardi, Gabi. "Italian Landscape. John Lovett/Alessandro Codagnone at Galleria Emi Fontana." Flash Art International, n. 252, January/February: 70 (Fig.)

2006	Gangitano, Lia and Octavio Zaya. Lovett/Codagnone. Milan: Charta. "The Art Universe, From the V.F. Observatory High Atop Times Square." Vanity Fair, December: 341. Farronato, Milovan. "Lovett/Codagnone. Forget all about Equality" Mousse, n.4 November: 34-36. "Lovett/Codagnone- The party with us." Mousse, n.3, September: 55. Bonazzoli, Francesca. "Festeggiano 31 gallerie da Schifano alla Beecroft. " Corriere della Sera , September: 15. Bollen, Christopher. "A History of Violence." V Magazine, Fall: 172-173. Viola, Eugenio. "Fresco Bosco." Segno. Attualità Internazionali d'Arte Contemporanea, n. 209, October: 40-42. "Fresco Bosco." Segno, n. 208, May-June: 6. "Passers-by." Mousse, n. 1, May: 35. Viscardi, Sara Micol. "Passers - by." Mousse, n. 1, May: 39. Cesare, T. Nikki and Joy Jenn. "Performa/(RE)Performa." TDR, Spring: 170. Gangitano, Lia. "Dead Flowers: Oppositional Culture and Abandonment." Whitney Biennial 2006: Day for Night. New York: Whitney Museum of Art, 80. Northcross, Wayne. "Seductive and Complicit. Performance art stages its first Biennial in PERFORMA 05." Gay City News, Volume 4, Number 47, November: 24-30

2005	Montreuil, Gregory. “Cabin Fever.” Gay City News, Volume 4, Issue 8, February –March. Smith, Roberta. “Performance Art Gets Its Biennial.” The New York Times, November 4: E39. Pym, William. “Genet Sais Quoi.” Artforum.com, June 30.

2004	"Very Style Guide." New York , Issue #8, March - October: 48-49 (Fig.). Preferences Mag , Number 1, March-April: 44-45; 111-113 (Fig.). Bougatsos, Lizzi. "Greetings from Miami." V magazine , Issue #28 , Spring. Crimp, Douglas. Melancholia and Moralism: Essays on AIDS and Queer Politics, Cambridge: MIT Press: 222 (Fig.)

2003	"Tagestipp: Lovett/Codagnone ASK " Zitty, 23: 148 (Fig.). Takemoto, Tina. "The Melancholia of Aids: Interview with Douglas Crimp." Art Journal,* vol.62, no. 4: 87. Zapperi, Giovanna. "Sex & Space. Sulla sessualità, il genere e la rappresentazione dello spazio." Flash Art (Italia), Issue # 242, October-November: 120-122.

2002	Charley 01 , May: 326 (Fig.). Cotter, Holland. "Where witty meets gritty." The New York Times, November 15: E31. Flesh, Henry. "Son of Thread Waxing Space." New York Press, volume 15, issue 41, October: 11. Asdam, Knut. "Heterotopia, Art, Pornography and Cemeteries, We are all normal (and we want our freedom)." A collection of contemporary Nordic artists writings: 398-407.

2001	"Una Performance unicaz." L'ORA, June 22, (Fig.). "Hops!" Flash Art, February-March: 72 (Fig.) "Hops!" in Metropoliemilia Arte, January: (Fig.). "Tutti i segni del duemila." Il Resto del Carlino, January 25, (Fig.). What do you expect from an art institution in the 21st century?. Paris: Palais de Tokyo: 110. Nicita, Paola. "Sesso in auto per riflettere." La Repubblica, June 22: XI. Steimane, Inga. "What happens with two intimately close people. An Interview with Lovett/Codagnone." Neatkariga Rita Avize, May 19: (Fig.). Codognato, Mario. "Palermo. Il Micromuseum nasce come spazio non profit aperto a tutte le discipline." Il Sole 24 ore, May 20: XI. Sossai, Maria Rosa. "Sconfinamenti." Flash Art, February-March: 108-111 (Fig.). Nyeborg, Pierre-Emmanuel. "Expositions. Paris, l'agenda de Têtu nº4." Têtu, Issue # 53, February:17 (Fig.). Fanti, Silvia. "Hops! Ambienti." Ziczero+, January 19. Iannessa, Simona. "Hops! Cambia I connotati dell'ambiente." Il Domani, January 25: 13. Naldi, Paola. "Vedrete pittori fare il deejay e architetti pensanti in video." La Repubblica, January 25: (Fig.).

2000	"Food for Thought.” Self Service, Spring/Summer: 46 (Fig.). Spada, Sabina. “Il Fascino Discreto del Quotidiano.” Arte, August : 128 (Fig.). Slesin, Suzanne. House & Garden, May: 138. Gehman, Geoff. "Cultivating the Collection." Morning Call, April 23: E1-E2.

1999	Martinez, Rosa. "Transatlantico: Celebration of Dispersion." Flash Art, March-April : 54. Servant, Jean Christophe. "Nantes casse les clichés." Remix, March: 72 (Fig.). Thevenin, Patrick. "Une oeuvre de mensonges." Têtu, January-February: 19. Huitorel, Jean Marc. "Remix." Art Press, January-February: 72-74 (Fig.). Dustan, Guillaume. "Au-dela du gay." Les Inrockuptibles, January 20: 25 (Fig.). Collings, Matthew. "It Hurts, New York art from Warhol to Now." 21 Publishing London: 29 (Fig.).

1998	"Blue Jeans e Visioni." Flash Art, February-March: 41 (Fig.). Pozo, Alejandra. "Transatlantico, Promiscuity on Board." ArtNexus, Issue# 30, November. Zaya, Octavio. "Out of Bounds, an interview." Flash Art, Summer: 126-9 (Fig.). Burns, Nora. "Blow-Up Dolls." Paper, June: 34. Saltz, Jerry. Time Out New York, April 2-9: (Fig.). Falces, Manuel. "Nueve formas de usoradical de la camera." El Pais, April 1. Watson, Simon. Simon Says, Issue 2, April (Fig.). Guardiola, Juan. "Interferencias." Shangay, April: 28 (Fig.). Sierra, Rafael. "Carreteras Secundarias." El Mundo, April 1: 47 (Fig.). Aletti, Vince. The Village Voice, March 18. Vettese, Angela. "Arte motore della moda." Il Sole 24 Ore, January 11: 35.

1997	Zaya, Octavio. “Fuera de los Limites/Out of Bounds, an interview.” Papel Alpha, Nr.3: 39-48 (Fig.). Ciocca, Sabrina. “Lovett/Codagnone art in town.” ZERO2, June: 13. Sebastiano, Umberto. L’Unità, June 7: (Fig.). Verzotti, Giorgio. “Party Lines.” Artforum, Summer: 49. Kempkes, Anne. “Unter geschwungenen Dachern.” Texte zur Kunst, Spring: 158-163. Indiana, Gary. “On George W.S. Trow and Daniel Harris.” Artforum, April: (Fig.). Kelly, Mary. "Imaging Desire." Parachute Contemporary Art Magazine, October : 206 (Fig.).

1996	"Ist das der neue Mensch?" BZ, September 14. "Neue Visionen" Der Tagesspiegel, September 25. "Urwuchsige Gemeinschaft" Die Welt, September 16. Werner, Gabriele. “Virilitat, Erotik und Social-Hygiene.” Aktuell, n. 17: 22-24 (Fig.). Gohlke, Gerrit. “Family Nation Tribe.” Springer, December (Fig.). Smith, Roberta. “Chelsea’s Work in Progress.” The New York Times, November 29. Rimanelli, David. The New Yorker, November 18. Wilkinson, Jeanne. “A Chelsea Afternoon.” Review Art, November 1. Arning, Bill. Time Out New York, November 14-21: (Fig.). Aletti, Vince. The Village Voice, October 16. D’Agnolo, Giulia. “Pornography con Humor.” Il Manifesto, September 1: (Fig.). Schindler, Christian. “Saubere, asexuelle Akte.” Generalanzeiger Oranienburg, September 19. Werneburg, Brigitte. “Exportierte Gluckseligkeit.” Tageszeitung, September 16. Boker, Carmen. “Vater,Mutter,Kind-ein Auslaufmodell.” Berliner Zeitung, September 13. D’Agnolo, Giulia. “Interview.” Virus, Issue #8, June: 32-33 (Fig.).

1995	"Witness: An Exquisite Corpse." XXX Fruit, Summer: 46-47 (Fig.). "I Didn’t Do It." Honcho, December: 35-41 (Fig.). Atkins, Robert. “Lesbian and Gay Wahtzis.” The Village Voice, June 20: 71-72. Cattelan, Maurizio & Dominique Gonzalez-Forester. Permanent Food #3 (Fig.). Crimp, Douglas. “Melancholia and Moralism.” The Mit Press, : 222 (Fig.). KBM. Ratselhaft: Chironex Fleckeri in der Neuen Gesellschaft fur Bildende Kunst, Tip 23/03: 06.11-19.11, p.72 (Fig.). Pieroni, Augusto. “Fototensioni.” Castelvecchi Editore: 42 and 68. Rimanelli, David. “Crystal Blue Persuasion.” The New Yorker, October 2. Savoca, Giuseppe. “Arte Estrema.” Castelvecchi Editore: 148-152 (Fig.). Steimane, Inga. “Review: Contemporary Utopia.” NU: The Nordic Art Review, Vol.III, 3-4/01, :107.
AWARDS, GRANTS AND RESIDENCIES
2010	Art Matters Grants AIR (Art International Radio) residency, Clocktower Gallery Spaces, New York, NY

2008	Platte Clove Artists-in-Residence Program, Catskill, NY

1998	Best booth, Art Forum Berlin, Germany (solo artist presentation)

1992	Andrei and Nicholas Tooth Traveling Scholarship