|1962||John Lovett born in USA. Lives and works in New York|
|1967||Alessandro Codagnone born in Italy. Lives and works in New York|
|1988-89||School of Visual Arts, New York|
|1986-88||MBA, Drexel University, Philadelphia|
|1980-84||BA in Psychology and Fine Arts,
Dickinson College, Carlisle
|1993-94||Whitney Museum Independent Study Program, New York|
|1989-92||Goldsmiths' College, London|
|1988-89||Chelsea School of Art, London|
|2010|| Weighted, Curated by Tom Cole and Christian Clifford, Dixon Place, New York, NY (performance)
Adjusted by Addition, in collaboration with Tom Cole, radio play at AIR (Art International Radio), Clocktower, New York, NY
Hanged, Curated by Lia Gangitano, Billboard project for LAXART, Los Angeles, CA
|2009||Common Errors, Sara Meltzer Gallery, New York, NY|
|2008||Post no Bills, Office Project, Sara Meltzer Gallery, New York, NY
Walk in Silence, September Gallery, Berlin, Germany
|2007||Erase, in collaboration with Tom Cole, Participant Inc., New York, NY
Interruption of a Course of Action, Curated By Lia Gangitano, P.S.1 Moma, Contemporary Art Center, New York, NY
For You, 2003-2007, The Institute of Contemporary Art, Boston, MA (performance).
Driven by Love, 22nd Torino GLBT Film Festival, Museo Nazionale del Cinema, Fondazione Adriana Prolo, Turin, Italy (catalogue)
|2006||For You 2003-2006, Galleria Illy, Spazio Moroso, Milano, Italy (performance)
Party with Us, Galleria Emi Fontana, Milano, Italy
Driven by Love, Curated by Jeffrey Uslip, LA><ART, Los Angeles, CA
Printed Matter, Inc., New York, NY
|2004||Obliquities, Roth Horowitz Gallery, New York, NY
Echo, Galerie Praz-Delavallade, Paris, France
Driven by Love (screening), Robert Beck Memorial Cinema, New York, NY
|2003||ASK*, The Laura Mars Group, Berlin, Germany
ASK*, TRANS>area, New York, NY
Wenn ich mir was wünschen dürfte…(If I could wish something…), Participant Inc., New York, NY
|2001||Suited, Brent Sikkema Gallery (performance), New York, NY
Suited, MicroMuseum for Contemporary Art and Culture (performance), Palermo, Italy
Duet, Centro d'Arte Contemporanea Ticino, Switzerland
<<PLAY>>, Galleria Emi Fontana, Milano, Italy
Duet, Galerie Praz-Delavallade, Paris, France
|2000||Wall 6: Landscape 8, Air De Paris, Paris, France
Play, Thread Waxing Space, New York, NY
|1998||Drifted, XL/Xavier LaBoulbenne, New York, NY
Drifted, Artforum Berlin 98, XL/Xavier LaBoulbenne, Berlin, Germany
|1997||Greetings, Patricia Faure Gallery, Los Angeles, CA
Sighting, Galleria Emi Fontana, Milano, Italy
|1996||Greetings, XL/Xavier LaBoulbenne, New York, NY
White Columns, New York, NY
SELECTED GROUP EXHIBITIONS
Freud Museum, London, England
Au Pair, Curated by Giacinto Di Pietrantonio and Francesca Referza, Fondazione Menegaz, Castelabasso, Teramo, Italy
Pop-Up-Shop, Tanya Bonakdar Gallery, New York, NY
Screening/Salon/Cabaret/Disco, Curated by Sarvia Jasso, Insitute of Contemporary Art, Philadelphia, PA
Fade to Black , Curated by Rachel Gugelberger and Jeffrey Walkowiak, Sara Meltzer Gallery, New York, NY
Are You Coming Too? Presented by Krüger & Knuth and September, Berlin, Germany
Hardcorps : Movement Research Spring Festival 2010, Judson Memorial Church, New York, NY (performance)
100 Years (version #3), Curated by Klaus Biesenbach, RoseLee Goldberg and Jenny Schlenzka, Garage Center for Contemporary Culture, Moscow, Russia
Diegesis This Is Not, Curated by Madeline Djerejian, part of salon of Video Art at Atopia, Oslo, Norway
100 Years (version 2, ps1, nov 2009), Curated by Klaus Biesenbach, Roselee Goldberg and Jenny Schlenzka, P.S.1 MoMa. Long Island City, Queens, NY
Butt in Ass, Curated by Michael Bullock and Yasmine Dubois-Ziai, Asian Song Society, New York, NY
A Personal Shout, Video screening curated by Lovett/Codagnone, White Columns, New York, NY
Can't Rape the Willing, Curated by Sarvia Jasso and Kathryn Garcia, Second Floor, Brooklyn, NY
Tre Punti..., Galleria Emi Fontana, Milan, Italy
Timeline, Participant Inc., New York, NY
Eye Candy, Maloney Fine Art, Culver City/Palm Springs, CA
Objects of Desire, Anna Kustera Gallery, New York, NY
40 Years/40 Projects, White Columns, New York, NY
|2008|| Power and Currency, Factory Fresh, Brooklyn, NY
History Keeps Me Awake At Night: A Genealogy of Wojnarowicz, P.P.O.W Gallery, New York, NY
That was Then...This is Now, P.S.1. MoMa, Long Island City, NY
Poster Project, Curated by Devon Costello, Nine Things Gallery, Frankfurt, Germany
All in the Family, Organized by Laura Parnes, Sara Meltzer Gallery, New York, NY (screening)
Brice Dellsperger présente, Curated by Brice Dellsperger, Centre Georges Pompidou, Paris, France
Just Different, Curated by Frank Wagner, Cobra Museum, Amstelveen, Netherlands
Because My Body Can Never Be Touched Da Sodoma a Hollywood, 23rd Torino GLBT Film Festival, Museo Nazionale del Cinema, Fondazione Adriana Prolo, Turin, Italy (screening)
Lucky Draw, Sculpture Center, Long Island City, NY
Group Show, Curated by Vincent Honoré, Seventeen Gallery, London, England
Rhyme in Motion, All-Day Event: LTTR Videos-The Dead, Absent and Ficticious , Curated by LTTR, Yerba Buena Center for the Arts, San Francisco, CA
Cose mai viste, Curated by Achille Bonito Oliva, Terme di Diocleziano, Rome, Italy
|2007||Xmas Hysteria, Galleria Emi Fontana, Milan, Italy
Postcards From The Edge, 10th Annual Benefit show for Visual Aids, James Cohan Gallery, New York, NY
Performa07, Second Biennial of New Visual Art and Performance, New York, NY
Double Vision, Curated by Liz Christensen, Deutsche Bank Gallery, 60 Wall Street, New York, NY
Office Party, Curated by Lia Gangitano, Rental, New York, NY
NeoIntegrity, Curated by Keith Mayerson, Derek Eller Gallery, New York, NY
The Dead, The Absent and Fictitious, organized by LTTR, Documenta 12, Kassel, Germany (screening)
Publications Project, Kassel, Germany
Substance and surface, Bortolami Gallery, New York, NY
Love Addiction, Pratiche video dal '61 ad oggi, Curated by Andrea Bruciati, La Comunale, Galleria Comunale d'Arte Contemporanea, Monfalcone, Italy (catalogue)
Da Sodoma a Hollywood, 22° Torino International GLBT Film Festival, Torino, Italy (catalogue)
Elsewhere?, Galleria Emi Fontana, Milano, Italy
|2006||Postcards From The Edge, 9th Annual Benefit show for Visual Aids, Sikkema Jenkins & Co., New York, NY
The Eighth Square: Gender, Life, and Desire in the Visual Arts since 1960, Curated by Frank Wagner and Kasper König, Ludwig Museum, Cologne, Germany (catalogue)
Dead, Absent, and Fictitious: Shorts, Curated by LTTR, OUTFEST 2006 Film Festival, REDCAT: Roy and Edna Disney/CALARTS Theater at Walt Disney Concert Hall, Los Angeles, CA (catalogue)
Fresco Bosco, Curated by Achille Bonito Oliva, Certosa di San Lorenzo Padula, Salerno, Italy
Benefit 2006, Momenta Art, White Columns, New York, NY
Passers-by: Photography from 1974 to 2004, Galleria Emi Fontana, Milano, Italy
|2005||PERFORMAO5, First Biennial of New Visual Art Performance,
New York, NY (catalogue)
Gelman vs Roth, Roth Gallery, New York, NY
Still Ill (Curated by Lovett/Codagnone), Momenta Art, Brooklyn, NY
Split Subjects, Curated by Francesco Bernardelli and Theo Tegelaers, De Appel, Amsterdam, Netherlands
E-Flux video rental, Kunst Werk Institute for Contemporary Art, Berlin, Germany
Benefit 2005, Momenta Art, White Columns, New York, NY
Log Cabin, Curated by Jeffrey Uslip, Artists Space, New York, NY
|2004||Hosted, Curated by Lia Gangitano, Nieuwe Vide, Haarlem, Netherlands
Sparwasser HQ Platform´da: The home video system project, Curated by Johannes Raether Platform Garanti Contemporary Art Center, Istanbul, Turkey
|2003||Re: Act, An evening of performance, Curated by Sheri Pasquarella, Participant Inc, New York, NY
For You (performance), Presented by Participant Inc. and Trans>area, The Nada Art Fair, Miami, FL
Chironex Fleckeri or Suspended Moments (Mulholland Drive), Curated by Frank Wagner, Neue Gesellschaft für Bildende Kunst (NGBK), Berlin, Germany (catalogue)
Video Fuori dalla scena, Galleria Civica di Arte Moderna “Monetevergini," Siracusa, Italy
A Song for You (screening), Curated by Rafael Sanchez, Anthology Film Archives, New York, NY
Decade, Shroeder-Romero, New York, NY
Imperfect Marriages, Galleria Emi Fontana, Milano, Italy
Benefit 2003, Momenta Art, New York, NY
|2002||20th TFF (Torino Film Festival), Palazzo del Lingotto, Torino, Italy (catalogue)
Videolab, Special Section, The International Fair of Contemporary Art, Artissima 9, Turin, Italy
HANS: Interspecies Love, Gallery Oni, Curated by Tom Cole, Boston, MA
Fruit Farm Film Festival, McMinnville, Oregon (catalogue)
A Song for You (screening), Curated by Rafael Sanchez, Anthology Film Archives, New York, NY
Charley, P.S.1 Contemporary Art Center, New York, NY
Gallery’s Artists, Galerie Praz-Delavallade, Paris, France
"Identité, métissage et autres arrangements", Curated by Alexandre Pollazzon, Palais de Tokyo, Paris, France
Group Show, Galleria Emi Fontana, Milano, Italy
Power Ballads, Rupert Goldsworthy Gallery, New York, NY
|2001||Heads or Tails, Galerie Praz-Delavallade, Paris, France
Video Art Plastique, Centre d’Art Contemporain de Basse-Normandie, Hérouville Saint-Clair, France (catalogue)
My generation. Video art from the 70's to the present day, Curated by Mark Nash and Alexandre Pollazzon, The Atlantis Gallery, London, England
Contemporary Utopi a Musdienu Utopjia Latvian, Curated by Frank Wagner, Centre of Contemporary Art, Riga, Latvia (catalogue)
Hops! Ambienti, Curated by Luca Vitone, Link project, Bologna, Italy
Blind date, Brent Sikkema Gallery, New York, NY
|2000||Death Race 2000, Thread Waxing Space, New York, NY
Kentric Sex (screening), Cargo, London, England
Collector’s choice, Exit Art, New York, NY
Espacio Marica, Curated by Octavio Zaya, Institute of Civilian Disobedience, Oslo, Norway
Guilty Pleasure, Artnet.com
Mining the Store, Allentown art Museum, Allentown, PA
TWO by Two, The Rachofsky House, Dallas, TX
|1999||Non Solo fotografia, Centro d’Arte Contemporanea Ticino, Bellinzona, Switzerland
Lovevolution, XL/Xavier La Boulbenne, New York, NY
999, Organized by Centro d’Arte Contemporanea Ticino, Stabile Ex-Troesch, Bellinzona
Artissima 99, Castello di Rivoli/Palazzo Nervi, Torino, Italy
Videotheque Mobile 90-2000, Palazzo delle Papesse, Centro d’Arte Contemporanea, Siena, Italy
|1998||Remix, Musée des Beaux Arts, Nantes, France (catalogue)
Group Show, Galleria Emi Fontana, Milano, Italy
He swam down, away, Curated by Tony Payne, Audiello Fine Art, New York, NY
Videostore! Bricks and Kicks, Curated by Bureau de Video, Vienna, Austria
Bathroom, Curated by Wayne Koestenbaum, Thomas Healy Gallery, New York, NY
#4, XL/Xavier LaBoulbenne, New York, NY
Transatlantico, Curated by Octavio Zaya, Centro Atlantico De Arte Moderna, Las Palmas, Spain (catalogue)
Interferencias, Curated by Octavio Zaya, Canal De Isabella II, Madrid, Spain; Centro Andaluz De Arte Contemporaneo, Sevilla, Spain; Universidad De Salamanca, Spain (travelling)
Edifying Sappho and Socrates, Darlinghurst Station Sidney; Torch Gallery, Amsterdam, Netherlands (travelling)
Il Motore della Moda, Curated by Emi Fontana, Stazione Leopolda, Firenze, Italy
|1997||More, XL/Xavier LaBoulbenne, New York, NY
A Home Show: Sitting up Erected or Reclining, Curated by Mary Goldman, Hinterhof Links, Berlin, Germany
Artforum Berlin 97, XL/Xavier LaBoulbenne, Berlin, Germany
Domestic Bliss, DNA Gallery, Provincetown, RI
#2, Knut Asdam, Ellen Cantor, Lovett/Codagnone and Rosemarie Trockel, XL/Xavier LaBoulbenne, New York, NY
New Museum of Contemporary Art Benefit, New York, NY
Health Crisis Emergency, Pat Hearn Gallery, New York, NY
|1996||The Male Gaze from y to z, Galerie Jennifer Flay, Paris, France
Mona Hatoum, Lovett/Codagnone, Marilyn Minter, XL Xavier LaBoulbenne, New York, NY
Video Sans Titres, Galerie Froment Putman, Paris, France
Ellen Cantor, Lovett/Codagnone, Mike Sale: Video, XL/Xavier LaBoulbenne, New York, NY
Family Nation Tribe Community Shift, Curated by Frank Wagner and Organized by NGBK, Haus Der Kulturen Der Welt, Berlin, Germany (catalogue)
Best of Indipendent Video, La Panaderia, Mexico City, Mexico
Fotog, SAUCE Gallery, New York, NY
White Columns benefit, White Columns, New York, NY
Open Your Heart, Leo Castelli Gallery, New York, NY
|1995||Soho Biennial, Eight Floor Gallery, New York, NY
Crystal Blue Persuasion, Feature Gallery, New York
The Moderns, Feature Gallery, New York, NY
|2009|| Falconer, Morgan. "White Columns Gallery Profile." Art World , Issue 10, April/May: 123-125.
Bernstein, Fred. "The Good Earth." Metropolitan Home, Vol. 41, No 2, March: 67.
Zaya, Octavio. "Lovett/Codagnone: un proyecto para Atlantica." ATLANTICA , n. 46: 70-79.
O'Neil-Butler. Lauren. "Law and Disorder." Artforum.com Diary, January 20
|2008||Baker, R.C. "History Keeps me Awake at Night." The Village Voice, August 5.
Vrieze, John and Frank Wagner. gewoon anders! (just different!). Amstelveen: Cobra Museum of Modern Art.
Nenno, Rosita and Christian Rathke. Macht Leder Lust, Offenbach: DLM Deutsches Ledermuseum Schuhmuseum.
Delli, Castelli. "Lovett/Codagnone." The End, n.8, April - May: 76-81.
Mania, Astrid. "Lovett/Codagnone: Walk in Silence." Art in Review, n.21, April: 141.
Zaya, Octavio. "Lovett/Codagnone. P.S.1." Flash Art International, n. 259, March-April: 134.
Papernik, Erica. "New York’s LES." Flash Art International, n. 259, March-April: 94-95.
"Best of New York 2008." New York Magazine , March 10-17: 88.
Cotter, Holland. "NY Coming Back." Flash Art, n. 268, February-March, 112-114.
Mueller, Dominikus. "Vorhut Der Spiesser." artnet.de, February, 21.
|2007||Cotter, Holland. "An Upbeat Moment for a Downtrodden Area ." New York Times , Saturday, December 1: b7, b11.
"Double Vision. Artistic Synergy Effects at the Lobby Gallery, New York ."
Pernet, Diane. "Pleasure Principle-Collaboration-Erase." dianepernet.typepad.com, December.
Velasco, David. "Erase Errata ." artforum.com, November.
"Medium Cool ." Timeout, n. 631, November 1-7: 95.
"Performa07." Tema Celeste , n. 124, November-December: 104.
Levin, Kim. "Substance and Surface ." Artnews, October : 210.
Taft, Catherine. "Critics' Picks: Substance and Surface." artforum.com, Summer.
Bombelli, Ilaria. "Lovett/Codagnone." Flash Art, n. 264, Giugno-Luglio: 104-106.
Bombelli, Ilaria. "Gioco a due. L'analitica del potere nel lavoro di Lovett/Codagnone." Flashartonline.it.
Sossai, Maria Rosa. " Elsewhere ?", Flash Art, n. 264, Giugno-Luglio:139.
"Collettiva Elsewhere?" Inside Italia, n. 33, May: 34.
"The Waste Land." Mousse, n. 7, March (special issue "The Waste Land").
Scardi, Gabi. "Italian Landscape. John Lovett/Alessandro Codagnone at Galleria Emi Fontana." Flash Art International, n. 252, January/February: 70 (Fig.)
|2006||Gangitano, Lia and Octavio Zaya. Lovett/Codagnone. Milan: Charta.
"The Art Universe, From the V.F. Observatory High Atop Times Square." Vanity Fair, December: 341.
Farronato, Milovan. "Lovett/Codagnone. Forget all about Equality" Mousse, n.4 November: 34-36.
"Lovett/Codagnone- The party with us." Mousse, n.3, September: 55.
Bonazzoli, Francesca. "Festeggiano 31 gallerie da Schifano alla Beecroft. " Corriere della Sera , September: 15.
Bollen, Christopher. "A History of Violence." V Magazine, Fall: 172-173.
Viola, Eugenio. "Fresco Bosco." Segno. Attualità Internazionali d'Arte Contemporanea, n. 209, October: 40-42.
"Fresco Bosco." Segno, n. 208, May-June: 6.
"Passers-by." Mousse, n. 1, May: 35.
Viscardi, Sara Micol. "Passers - by." Mousse, n. 1, May: 39.
Cesare, T. Nikki and Joy Jenn. "Performa/(RE)Performa." TDR, Spring: 170.
Gangitano, Lia. "Dead Flowers: Oppositional Culture and Abandonment." Whitney Biennial 2006: Day for Night. New York: Whitney Museum of Art, 80.
Northcross, Wayne. "Seductive and Complicit. Performance art stages its first Biennial in PERFORMA 05." Gay City News, Volume 4, Number 47, November: 24-30
|2005||Montreuil, Gregory. “Cabin Fever.” Gay City News, Volume 4, Issue 8, February –March.
Smith, Roberta. “Performance Art Gets Its Biennial.” The New York Times, November 4: E39.
Pym, William. “Genet Sais Quoi.” Artforum.com, June 30.
|2004||"Very Style Guide." New York , Issue #8, March - October: 48-49 (Fig.).
Preferences Mag , Number 1, March-April: 44-45; 111-113 (Fig.).
Bougatsos, Lizzi. "Greetings from Miami." V magazine , Issue #28 , Spring.
Crimp, Douglas. Melancholia and Moralism: Essays on AIDS and Queer Politics, Cambridge: MIT Press: 222 (Fig.)
|2003||"Tagestipp: Lovett/Codagnone ASK *" Zitty, 23: 148 (Fig.).
Takemoto, Tina. "The Melancholia of Aids: Interview with Douglas Crimp." Art Journal, vol.62, no. 4: 87.
Zapperi, Giovanna. "Sex & Space. Sulla sessualità, il genere e la rappresentazione dello spazio." Flash Art (Italia), Issue # 242, October-November: 120-122.
|2002||Charley 01 , May: 326 (Fig.).
Cotter, Holland. "Where witty meets gritty." The New York Times, November 15: E31.
Flesh, Henry. "Son of Thread Waxing Space." New York Press, volume 15, issue 41, October: 11.
Asdam, Knut. "Heterotopia, Art, Pornography and Cemeteries, We are all normal (and we want our freedom)." A collection of contemporary Nordic artists writings: 398-407.
|2001||"Una Performance unicaz." L'ORA, June 22, (Fig.).
"Hops!" Flash Art, February-March: 72 (Fig.)
"Hops!" in Metropoliemilia Arte, January: (Fig.).
"Tutti i segni del duemila." Il Resto del Carlino, January 25, (Fig.).
What do you expect from an art institution in the 21st century?. Paris: Palais de Tokyo: 110.
Nicita, Paola. "Sesso in auto per riflettere." La Repubblica, June 22: XI.
Steimane, Inga. "What happens with two intimately close people. An Interview with Lovett/Codagnone." Neatkariga Rita Avize, May 19: (Fig.).
Codognato, Mario. "Palermo. Il Micromuseum nasce come spazio non profit aperto a tutte le discipline." Il Sole 24 ore, May 20: XI.
Sossai, Maria Rosa. "Sconfinamenti." Flash Art, February-March: 108-111 (Fig.).
Nyeborg, Pierre-Emmanuel. "Expositions. Paris, l'agenda de Têtu nº4." Têtu, Issue # 53, February:17 (Fig.).
Fanti, Silvia. "Hops! Ambienti." Ziczero+, January 19.
Iannessa, Simona. "Hops! Cambia I connotati dell'ambiente." Il Domani, January 25: 13.
Naldi, Paola. "Vedrete pittori fare il deejay e architetti pensanti in video." La Repubblica, January 25: (Fig.).
|2000||"Food for Thought.” Self Service, Spring/Summer: 46 (Fig.).
Spada, Sabina. “Il Fascino Discreto del Quotidiano.” Arte, August : 128 (Fig.).
Slesin, Suzanne. House & Garden, May: 138.
Gehman, Geoff. "Cultivating the Collection." Morning Call, April 23: E1-E2.
|1999||Martinez, Rosa. "Transatlantico: Celebration of Dispersion." Flash Art, March-April : 54.
Servant, Jean Christophe. "Nantes casse les clichés." Remix, March: 72 (Fig.).
Thevenin, Patrick. "Une oeuvre de mensonges." Têtu, January-February: 19.
Huitorel, Jean Marc. "Remix." Art Press, January-February: 72-74 (Fig.).
Dustan, Guillaume. "Au-dela du gay." Les Inrockuptibles, January 20: 25 (Fig.).
Collings, Matthew. "It Hurts, New York art from Warhol to Now." 21 Publishing London: 29 (Fig.).
|1998||"Blue Jeans e Visioni." Flash Art, February-March: 41 (Fig.).
Pozo, Alejandra. "Transatlantico, Promiscuity on Board." ArtNexus, Issue# 30, November.
Zaya, Octavio. "Out of Bounds, an interview." Flash Art, Summer: 126-9 (Fig.).
Burns, Nora. "Blow-Up Dolls." Paper, June: 34.
Saltz, Jerry. Time Out New York, April 2-9: (Fig.).
Falces, Manuel. "Nueve formas de usoradical de la camera." El Pais, April 1.
Watson, Simon. Simon Says, Issue 2, April (Fig.).
Guardiola, Juan. "Interferencias." Shangay, April: 28 (Fig.).
Sierra, Rafael. "Carreteras Secundarias." El Mundo, April 1: 47 (Fig.).
Aletti, Vince. The Village Voice, March 18.
Vettese, Angela. "Arte motore della moda." Il Sole 24 Ore, January 11: 35.
|1997||Zaya, Octavio. “Fuera de los Limites/Out of Bounds, an interview.” Papel Alpha, Nr.3: 39-48 (Fig.).
Ciocca, Sabrina. “Lovett/Codagnone art in town.” ZERO2, June: 13.
Sebastiano, Umberto. L’Unità, June 7: (Fig.).
Verzotti, Giorgio. “Party Lines.” Artforum, Summer: 49.
Kempkes, Anne. “Unter geschwungenen Dachern.” Texte zur Kunst, Spring: 158-163.
Indiana, Gary. “On George W.S. Trow and Daniel Harris.” Artforum, April: (Fig.).
Kelly, Mary. "Imaging Desire." Parachute Contemporary Art Magazine, October : 206 (Fig.).
|1996||"Ist das der neue Mensch?" BZ, September 14.
"Neue Visionen" Der Tagesspiegel, September 25.
"Urwuchsige Gemeinschaft" Die Welt, September 16.
Werner, Gabriele. “Virilitat, Erotik und Social-Hygiene.” Aktuell, n. 17: 22-24 (Fig.).
Gohlke, Gerrit. “Family Nation Tribe.” Springer, December (Fig.).
Smith, Roberta. “Chelsea’s Work in Progress.” The New York Times, November 29.
Rimanelli, David. The New Yorker, November 18.
Wilkinson, Jeanne. “A Chelsea Afternoon.” Review Art, November 1.
Arning, Bill. Time Out New York, November 14-21: (Fig.).
Aletti, Vince. The Village Voice, October 16.
D’Agnolo, Giulia. “Pornography con Humor.” Il Manifesto, September 1: (Fig.).
Schindler, Christian. “Saubere, asexuelle Akte.” Generalanzeiger Oranienburg, September 19.
Werneburg, Brigitte. “Exportierte Gluckseligkeit.” Tageszeitung, September 16.
Boker, Carmen. “Vater,Mutter,Kind-ein Auslaufmodell.” Berliner Zeitung, September 13.
D’Agnolo, Giulia. “Interview.” Virus, Issue #8, June: 32-33 (Fig.).
|1995||"Witness: An Exquisite Corpse." XXX Fruit, Summer: 46-47 (Fig.).
"I Didn’t Do It." Honcho, December: 35-41 (Fig.).
Atkins, Robert. “Lesbian and Gay Wahtzis.” The Village Voice, June 20: 71-72.
Cattelan, Maurizio & Dominique Gonzalez-Forester. Permanent Food #3 (Fig.).
Crimp, Douglas. “Melancholia and Moralism.” The Mit Press, : 222 (Fig.).
KBM. Ratselhaft: Chironex Fleckeri in der Neuen Gesellschaft fur Bildende Kunst, Tip 23/03: 06.11-19.11, p.72 (Fig.).
Pieroni, Augusto. “Fototensioni.” Castelvecchi Editore: 42 and 68.
Rimanelli, David. “Crystal Blue Persuasion.” The New Yorker, October 2.
Savoca, Giuseppe. “Arte Estrema.” Castelvecchi Editore: 148-152 (Fig.).
Steimane, Inga. “Review: Contemporary Utopia.” NU: The Nordic Art Review, Vol.III, 3-4/01, :107.
AWARDS, GRANTS AND RESIDENCIES
|2010||Art Matters Grants
AIR (Art International Radio) residency, Clocktower Gallery Spaces, New York, NY
|2008||Platte Clove Artists-in-Residence Program, Catskill, NY|
|1998||Best booth, Art Forum Berlin, Germany (solo artist presentation)|
|1992||Andrei and Nicholas Tooth Traveling Scholarship|